***
3 -
Although the title refers to Tromin film 30 years ago (which I once tried to watch, so smorio realizing that redneci its target audience, and left it for a moment of despair when they do not I have smarter things to watch), this MOTHER'S DAY would rather have to advertise as unofficial remake Deodato house at the edge PARK . This as a compliment, especially since I consider this to several shades more entertaining film, although he, like kasnodošavši, can not have that place in the history of the genre that has gained Deodato, and if we are right, there is not that level of social awareness and relevance. Okay, there's a dose moralizatorstva (ie preaching), at the SAW sequels later, but what we do not act prudently so as not honest with Deodato, who was convinced to make a new version PAKLENE ORANGE (not to say that it is managed, but - he did it).
antipatičnih small group of characters in the home of one of them finds herself in the role of hostages begin tormenting family mini-psychopathic criminals led by Big-Bad-Mommy ( very solid Rebecca De Mornay), who is hiding for a moment, while the police chase just robbed a bank, and she tries to find the money to her former home. Patience is a maniac on trial (one of them was wounded), as well as "friendship" crowd and "love" between the present priženjenih, which only sovereign pairs.
follows: binding threats, skinning, crying, begging for mercy, the absence of grace, skinning, more crying, more binding, reversals, sadistic games, psychological torture, physical torture, screaming, bečenje, rictus, staring, howling, betrayal, deceit, dark secrets, beating, shooting, cutting, burning, etc.. and in the end - must bitch-fight in the kitchen (and elsewhere? women are!) between alpha-mom and a moms-to-try (our dubious heroine, who for reasons unknown NOT wearing a shirt bratee).
Is there enough tension, suspense, severity, sadism, and turns to raise this as one of USA solidnijih new horror-thriller, no matter what and on the the other half is subject debilizaciji and effusive with his twist-on twist-on-absurd-twist dramaturgy. It's hard to imagine the prim and meaningless scene than when psycho-mom organizes ritual downloading is injured innocence to his son when he realizes that this darkness with neskinutim posthumous plunge into darkness: elem (Ratko) young man at that moment in predsmrtnoj fever and near-delirious, sweaty and bloody and almost lost, and every well-intentioned citizen, it is clear that this can not even raise a little finger alone Djoko - what's more, every effort in this direction, in this state, any stress, can only accelerate it to the grave.
addition, suffers from a self-imposed duty to his every 6.5 minutes offered at a scene of torture and brutalisation which, however, stretches the limits of credibility and drama and its message that would tell us, and it turns into a somewhat mechanical whirl of torture scenes: those damn torture after another!
This is not surprising, as directed by Darren Lynn Bausmen, director of Saw 2, 3 and 4, and Repo: Genetic Opera (the latter was so terrible that I turned off after 10 minutes, the SAW series, I took leave on the third part). In relation to the aforementioned, is directed here is much better, more functional, and just manages to be unobtrusive and to deliver a very solid amount of tension, suspense and uncertainty.
However, the final twist, and an epilogue, the climax is one of bezveznjaštva usiljenijih "it is not over" all that I saw. But what to do, the Americans have it, give what you give, the current offer, this is one moderately amusing filmić - of course, to those who can to entertain all manner of interpersonal, non-supernatural torture and implicit nihilism & misanthropy ("all are pigs, all lie and steal and converted ... "). For me this is fine litter, perhaps because I expected much, but I got a solid 90ak minutes of fun.
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